Switching to Portra 🎉

by Shasta Bell Photographie

by Shasta Bell Photographie

If you love film like we do, you know the discontinuation of Fuji 400H was heartbreaking, but definitely not the end of the world for film shooters #filmforever. Switching to a new film stock might have a bit of a learning curve, but it's always exciting to learn and grow and try new things in your craft. Regardless of the film you shoot, remember that it has no effect on the talented photographer you are.

Simply view it as adding new colors to your paint palette.

Listed below are the top three Kodak stocks for portraits and their notable characteristics:

PORTRA 160

  • rate at 100 or 160

  • good for bright sun or at the beach

  • good skin tones

  • similar to Fuji with proper light

  • red cast if overexposed too much

  • good results pushed one stop

PORTRA 400

  • true 400 ISO means you can shoot with faster shutter speeds

  • typically rated at box speed, 320, or 200

  • wide dynamic range and exposure latitude makes it pretty forgiving, that said, overexposed too much you'll start to notice a yellow cast

  • fine grain

  • yellow base and warmer tones

  • good results pushed one or two stops

PORTRA 800

  • though it's 800 ISO it's actually light hungry, so rate at 400 or 200

  • has a bit more of a pink tint similar to Fuji's

  • saturated colors

  • good results pushed one or two stops

READY TO GO OUT AND SHOOT SOME PORTRA?

  1. Put together a test shoot so you can learn how it handles light and feel more confident about the results you deliver. Make sure you conduct your test in your most used light and location settings. If you live in a cloudy, overcast climate, don't wait for a sunny day, as it's not your usual shooting environment. Try rating at different speeds and take notes on which frames are which.

  2. Communicate with your lab (low contrast, cooler tones, etc). If you had to tweak your scans, share the examples with them so they can add it to your preferences.

  3. You may want to experiment between Noristu and Frontier, but for the most part, you'll still probably prefer your go-to scanner.

Keep in mind that any film stock has the ability to look the way you want it after finding and nailing your own formula of rating, metering, and lab preferences. Embrace trying something new and you'll be blowing yourself away with your results!

See Portra examples and be inspired by some of our talented friends:

Comparing Film Scans From Different Film Labs

Just to show you the amazing variety of ways film can be scanned we’ve sent one frame to different film labs and asked them to scan it using their best judgement. Have a look at the results below and let us know in the comments what you think 🙌🏻

CAMERA: CONTAX 645
FILM: FUJI 400H rated @ 200


EXPOSURES

 

We took similar photographs with different exposures and scanned them with neutral settings.

LAB: Richard Photo Lab
COLOR / BRIGHTNESS / CONTRAST: neutral
SCANNER: Frontier
RATING FILMS: at box speeds

 

FUJI 400H:


PORTRA 400:


PORTRA 160:


PORTRA 800:


EKTAR 100:

Exposing Digital vs Film

FILM CAMERA: Contax 645
FILM STOCK: Fuji 400H rated @ 200ISO
DIGITAL CAMERA: Canon 5D Mark III

We’ve run a quick test to demonstrate how differently film and digital react to under- and overexposure.

DITIGAL EXPOSURES:

(click to enlarge)

FILM EXPOSURES:

(click to enlarge)

And to top it all off, here’s a whopping 4 stop overexposure on film:

 
Fuji-400h-4-stops-overexposure.jpg
 

Please share the post and let us know what you think in the comments below 🙌🏻